H.P. Lovecraft’s letters to various associates are as fascinating as his stories. They reveal much about the author, his approach to writing and publishing, and the historic times he lived in. He often wrote about his dreams, shared them with his colleagues, and transmuted dream content into stories.1
In September of 1933 he wrote to the younger Robert Bloch, then a teenager, describing a recent dream he’d had. He wrote: “You astonish me when you say you dream but twice a year. I can never drop off for a second—not even in my easy-chair or over my desk—without having dreams of the most vivid sort; not always bizarre or fantastic, but always clear-cut and lifelike.”
He goes on to describe what he typically dreamed about, reporting that in “nine dreams out of ten” he dreamt about his childhood circa 1903 “—which was by all odds the happiest period of my existence.” He later commented that “…besides these comparatively mundane dreams I occasionally have boldly fantastic ones which make good weird-fictional material.” A couple of months later, in a letter to Clark Ashton Smith, he wrote: “I hope my increased fantastic dreaming is a prelude to a new writing spell.”2
Lovecraft and some of his colleagues noticed the connection between heightened dream recall and writing productivity, regardless of whether the dream content could be transformed into a publishable form. The ease with which he remembered and interacted with the content of his dreams, and the overflow of unconscious imagery into his waking thoughts, might be considered an example of transliminality.
This is a term I recently came across as I was reading through a textbook on parapsychology.3 The authors had surveyed several research studies to identify characteristics of people who show heightened susceptibility to experiences of ESP, either in the laboratory or spontaneously, “in the wild”.
Though parapsychological research is often riddled with methodological flaws—as is much of what passes for scientific study in the social sciences—results are suggestive. Irwin and Watt identified the following as characteristics predisposing people to paranormal phenomena: intelligence, (either high or low), creativity, memory, visuospatial ability, dream recall, dissociative tendencies, susceptibility to hypnosis, capacity for psychological absorption4, and transliminality.
Irwin and Watt define transliminality as “the readiness with which subconscious material can cross the threshold of consciousness in a given person.” Others have described it as a psychological trait or cognitive style characterized by hypersensitivity to psychological material originating in the unconscious or the external environment, encompassing ideas, images, emotions, and perceptions. A transliminal personality has been linked to increased probability of believing in magic, experiencing paranormal events, creativity, mysticism, mania, hyperaesthesia5—and a positive regard for dream analysis.
The concept was named and developed by Michael Thalbourne, an Australian parapsychologist, though the notion can be found in the earlier writings of the psychologist William James. Thalbourne and his colleagues developed a 17 item Revised Transliminality Scale (RST) to assess this trait.6 One of the findings was that transliminality, as measured by the RST, was positively associated with certain types of dreams, among them lucid dreams, archetypal dreams, and vivid nightmares. The questionnaire contains items like these:
“#2. At times I perform certain little rituals to ward off negative influences.”
“#3. I have experienced an altered state of consciousness in which I felt that I became cosmically enlightened.”
“#8. I have sometimes sensed an evil presence around me, although I could not see it.”
How might Lovecraft or other writers in his circle have responded to items like these? Lovecraft’s preoccupation with the dream state is well documented, and his personality seems to have contained several of the elements of a transliminal cognitive style.
However, his official view of supernatural experiences is not at all consistent with the content of his stories. In letters to Zealia Brown Reed (1927) and Frank Belknap Long (1929), he describes himself as a “mechanistic materialist”, believing that nothing can exist apart from matter, and that all phenomena can ultimately be explained in terms of laws that pertain to matter.7
Transliminality seems a useful term to describe aspects of personality that may be conducive to writing horror fiction—and having paranormal or extrasensory experiences. One wonders—I do, at least—if transliminality is ultimately the neurological basis for “thin places”, those gateway regions of the Celtic spiritual landscape—insofar as supernatural or paranormal phenomena are projections of inner, subjective experiences. Or something else…
I am also intrigued with the notion, cited in Irwin and Watt’s text, that ESP—and perhaps related features like transliminality—can be interpreted as “a relic of a form of communication characteristic of a distant epoch of our evolution, and indeed, that ESP itself may have been a major mechanism of evolution.” This ground is also explored in a fascinating book by Julian Jaynes, The Origin of Consciousness in the Breakdown of the Bicameral Mind, (1976).
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1For an example of incomplete transformation of Lovecraft’s dream content into narrative, see his story “The Evil Clergyman”, (also known as “The Wicked Clergyman”). Appearing in Weird Tales in April of 1939, this was essentially a dream fragment—contained in a letter sent to Clark Ashton Smith in 1933—that was later published posthumously. It seems very close to the source material.
2H.P. Lovecraft, Selected Letters, 1932-1934, edited by August Derleth and James Turner, (1976).
3An Introduction to Parapsychology, by Harvey J. Irwin and Caroline A. Watt, (2007).
4Defined by one researcher in Irwin and Watt’s text as “…a ‘total’ attention, involving full commitment of available perceptual, motoric, imaginative and ideational resources to a unified representation of the attentional object”.
5 Hyperesthesia is defined as extreme sensitivity in one or more of the five senses. Think of the narrator of Poe’s “The Tell-Tale Heart”, whose acute hearing was his undoing.
6 “The Revised Translimity Scale: Reliability and Validity Data From a Rasch Top-Down Purification Procedure”, by R. Lange, M.A. Thalbourne, J. Houran, and L. Storm, Consciousness and Cognition, (December, 2000).
7 Cited in H.P. Lovecraft & the Black Magickal Tradition, by John L. Steadman, (2015).